It's the 1980s in rural Ghana, and Atswei is heavily pregnant and desperate to deliver her baby in Ateke. However, when she and husband Boi miss the morning train— the only mode of conveyance into the city — the unhappy pair is left stranded in the baking sun with only Boi's boombox for company. In this colorful screwball comedy, a madcap race against time ensues, with sardonic but sympathetic allusions to Ghanaian traditions and gender relations.