In the fragmented opening we see photos of modern-day city life consisting of the vicious knife murder of a prostitute, committed (or so presumably) by executive Marco. Outside the city, Marco runs a sprawling, innovative hen ranch with his spouse, Anna, while rather young Gabrielle has a tendency to their secretarial requirements. Their rich existence creates all kinds of monstrosities including a plan to rub out Anna in between the adulterous Marco and also Gabrielle, expert paranoia thanks to the suspicious activity of the plant's advertising head, decadent dinner events, and an automated factory problem that results in vibrating, David Lynchian chickens without heads or wings. Soon all the deceptions and homicidal outlining capped, though not quite in the method you 'd anticipate.